The recent work "Lecturae Dantis" of teachers Brunella Bruno and Elizabeth Ferrarini, Syracuse, consists of twelve chapters, which range in three parts, in a sort of organic vision of the Divine Comedy bet on the prophecy of Dante's "prophet of the age of the Spirit." The songs chosen, in fact, begin with the XVII of Paradiso, where Cacciaguida says the great-grandson his saving mission. Strategic and catchy is the song of Paolo and Francesca (Inferno, V). Texts are original, bold, outside the town of Dante exegesis: in fact, Dante was a man from modern views, opinions in the free, balanced and far ahead of its time. The dark prophecies of the poet here is decoded in the light most consistent with the inherent assumption that comedy has always represented. There is an excavation by the two authors, which involves not only the sacred poem, but all other works of Dante and would not be possible otherwise, since both the "Convivio" or a "monarchy", are valuable corollary to the understanding of a text so high and difficult as the Divine Comedy. But Brunella Bruno and Elizabeth Ferrarini beyond: Take for example the episode of Ulysses (Inferno, XXVI). The two authors examine how other authors (Homer, Virgil, Horace, etc..) Before Dante showed the figure of the hero multiform talent. In short, the critical view is 360 degrees and has the merit of stimulating the curiosity of the reader research.
The style of the authors is clear, deep, very enjoyable. There are 300 pages that read like a novel: a novel But that reveals many unknown aspects of our Great Poet.
pp. 304, E. 18.00
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